![]() ![]() This is even more crucial at our Nordic latitudes, where the rays of the low sun are heavily influenced by landscape, houses, and trees. In exterior design, the planning of how the sunlight falls in the space is essential. If not, I model them myself and make sure to share them with the community. I can find most furniture and other objects I’m looking for too. ![]() ![]() With virtually any kind of tree, grass, and flowers available, shared by other users, there are no restrictions in being able to present the design exactly as I need it. In both interior and exterior design, the wealth of objects in the 3D Warehouse is a huge advantage. What features could you not live without? From the model, I can extract all relevant 2D drawings and details-including accurate dimensions-which are essential in the execution of projects. The ability to show a number of 3D scenes helps the client understand and visualize the end result for themselves as well as their contractors. In addition to supporting my design work, Sketchup allows me to communicate my solutions to clients in a very effective way-especially for projects that are delivered virtually. I have actually stopped sketching by hand altogether, making even the first strokes in the 3D model. This has been especially true in outdoor design where the shape and varying elevations of the landscape are integral to the design and a simple plan-view approach is insufficient. The speed and simplicity of Sketchup allows me to actually sketch in the product, quickly testing various shapes and solutions as I work my way to the final result. The transition to working solely in 3D has defined the way I approach projects, increasing both my efficiency and creativity. Where does SketchUp fit into your creative process? I want indoor and outdoor areas to connect and become a year-round living space. Solutions echoing the client's personal style are key throughout every project. This is refined as I consider privacy, shelter from the elements, elevations, direction of sunlight and shadows, planters, and greenery-plus all other elements required to complete the design. In the 3D model, I usually start by defining the main zones and functions given the available space. This helps me define the design expression of the project. Then, I follow two parallel paths in my process-mood boarding and building the rudimentary 3D model.įor the mood board, I gather information from the client’s wishes, including colors, materials, and architectural style used in the interior and exterior of the house. Starting with the fundamentals, I define zones, functions, key features as well as any external constraints such as council rules and surrounding areas. It is essential to understand the client’s needs, lifestyle, personal preferences, and how the space will be utilized. I approach outdoor design in the same way as interior projects. How would you describe your approach to design? These days about 90% of my projects are outdoor designs or seamless indoor/outdoor designs. I found that creating functional and relaxing outdoor living areas in the cold Nordic climate was a fun challenge.Īs it happened, our work was featured in the media and a Norwegian garden book, turning this into my first publicized garden design project. What inspired you to begin designing outdoor spaces?Īs a trained interior designer, my move to include outdoor design work started when my husband and I decided to create a lush and functional outdoor area in our small townhouse garden. What makes Therese tick? Changing seasons, weather, and nature are important sources of inspiration for creating seamless indoor/outdoor living in the cold Nordic climate. With clients located across the Nordics and a devoted social media following hooked to keeping up with her latest projects-she’s been successfully running her practice for 10+ years now. When Therese Knutsen followed her dream to open her own design studio, she wasn’t certain where it would lead. ![]()
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